Now, I had heard - the way one hears things out there in the world - that there was a satiric angle to The Purge, but that it was seriously facile and weak. I fear I do not share that opinion. Indeed, I think the satire is pretty sharply on point. I'll explain how, but please, if you don't want me spoiling the movie for you, go. Run. Lock yourself in behind an expensive security system. I'll wait.
As we see in the opening of the The Purge, "Unemployment is at 1%. Crime is at an all-time low. Violence barely exists. With one exception . . ." That exception, as you can surely guess, is The Annual Purge, a 12-hour period, transpiring once each year, during which all crime, including murder, becomes legal. At first, The Annual Purge is presented in generic terms as a "release," a way to vent humanity's innate violence and aggression, but it shortly becomes clear how the purge actually works.
Let's pause a moment to clarify a few plot points. The Purge transpires within one neighborhood, and indeed, primarily within one house, occupied by a dad (Ethan Hawke); a mom (Lena Headey, aka Cersei Lannister from "Game of Thrones"); a daughter, Zoey (Adelaide Kane); and a son, Charlie (Max Burkholder, aka Max Braverman in "Parenthood"). The inciting incident in this film transpires when Charlie, looking at the security monitors, sees a Black man running down the street. Charlie turns on the audio. The Black man is screaming, pleading for help to escape those pursuing him on this annual night of bloodshed. Charlie lets the man into the house. (The Black man's character has no name. He is "Bloody Stranger" in the credits, played by Edwin Hodge.)
The Bloody Stranger (Edwin Hodge) |
No, Virginia, they don't want to have a game of baseball out back. |
Now. I have seen some critics roll their eyes at all of this. Charlie Jane Anders is having none of it. She writes: "In The Purge, a suburban family is put through hell because right wingers came up with a plan to eliminate the poor and the sick. And we all come face to face with how broken the American dream really is. Yadda yadda." As Bryan Bishop writes in his review, the Bloody Stranger role is "played by a black actor, because the film’s class warfare is subtle like that."
Uh. Class warfare? The American Dream? Can we talk about race for a quarter of a second? Why are the (predominantly, if not exclusively) white kids wearing white masks? They don't need to protect their identities. All criminal activity is legal; that's the point. I'd argue the masks are there not only to amplify the fear factor, but also to suggest that it doesn't really matter who these white kids are as actual individuals. They're white. They're well off. They're predatory. Candidly, they seem like extensions of the affluent American white kids who, each and every day, consume Black culture, Black music, and Black slang, acting all the while entitled to do so. The extension of that behavior is to consume a Black man, whole.
As for this being a ridiculously obvious stab at American culture, I'm not sure why a film needs to be subtle when white supremacy is anything but. What the film basically suggests is that individuals with wealth - who are predominantly but not exclusively white, as we see from the demographics of our protagonist family's neighborhood - would rather invest thousands upon thousands of dollars in elaborate security measures and "just in case" weaponry than be in any way involved with the creation of a more just and equitable world. Put another way, privileged white people would rather kill poor black people than make the social changes necessary to ensure more equal access to resources. Why do I say that? Within the story of the film, there was a staggering Depression, with unprecedented poverty. The government that came to power, under those conditions, was not a government that attempted to employ people or to redress previous wrongs, but a government that exacerbated and extended the problems we already had under the white supremacist patriarchy. They are the "New Founding Fathers," a phrase that rings wrong, even by the standards of 2013, when the film was released. Founding . . . Fathers? This is an explicitly patriarchal order that has been reasserted, even more viciously than before, since the prosperity that abounds does not extend to everyone. And candidly, the New Founding Fathers haven't gone too much farther than our most radical politicians already do.
That, by the way, seems to me the crux of the complaint about this film: That somehow, good, decent white people would never lock themselves away while their white friends and their white children go out and slaughter Black people. Except.
This past week, to take one example, Senator Arthur Orr from Alabama proposed serious cuts to TANF and SNAP. Under his terms, people who own a vehicle would not be eligible for support. Now, let's set aside that the vast majority of those benefitting from TANF and SNAP are children. Does Alabama have some state-wide public transportation system of which I'm not aware? How in holy hell is someone without a car supposed to go out and find a job, let alone keep one? And how is a person without a job supposed to feed his or her children? Oh, what's that? It doesn't matter? The important thing is that someone might be defrauding the system, and the brave Arthur Orr will stop that?
No. Sorry. This is a measure that denies people basic sustenance, that would rather punish a thousand people who are struggling than permit one single abuse of the system to occur. That might not be murder, but it's pretty damned close. And while the truth of the matter is that in America today, there are more white people on welfare than there are Black people, white people still associate poverty with blackness and blackness with poverty, which is the reason why critics of this film almost universally talk about class, but not race, and why Bernie Sanders, when speaking about Black people, immediately started talking about the ghetto. It's also the reason that Arthur Orr feels comfortable proposing something like this. He's tilting at windmills, taking shots at stereotypes of lazy Black people in his mind, an action that also (he presumably feels) will earn him votes.
For everything about it that is not sophisticated, The Purge is still pretty much on the money, because white people in America absolutely DO hole up in gated communities, spending money on electronic security and high-end locks, willfully ignoring how the system that permits them wealth and privilege is crushing and killing Black people. It's happening right now, without sophistication, without pretense, and wholly without subtlety.